Making the modern primitive : cultural tourism in the Trobriand Islands / Michelle MacCarthy.
Material type: TextPublisher: Honolulu : University of Hawaiʻi Press, [2016]Description: x, 270 pages : illustrations ; 24 cmContent type:- text
- unmediated
- volume
- 9780824855604
- Heritage tourism -- Papua New Guinea -- Trobriand Islands
- Culture and tourism -- Papua New Guinea -- Trobriand Islands
- Culture -- Economic aspects -- Papua New Guinea -- Trobriand Islands
- Rites and ceremonies -- Papua New Guinea -- Trobriand Islands
- Trobriand Islands (Papua New Guinea) -- Social life and customs
- 919.541 23
- G155.P26 .M33 2016
Item type | Current library | Collection | Call number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
PNG Reference | Matheson Library PNG Reference | PNG Collection | PR 919.541 M235 (Browse shelf(Opens below)) | Ordered | 163281 |
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PR 918.04 M425 Trekking through the new worlds / | PR 918.04 M425 Trekking through the new worlds / | PR 918.04 M425 Trekking through the new worlds / | PR 919.541 M235 Making the modern primitive : cultural tourism in the Trobriand Islands / | PR 955.3040922 C624 Grassroots to independence and beyond : the contribution by women in Papua New Guinea 1951-1991 / | PR 995.5 G373 German New Guinea : a bibliography / | PR 995.5 G373 German New Guinea : a bibliography / |
Includes bibliographical references (pages 243-260) and index.
Ethnographic context : the place and the people -- Modernity and primitivity : definitions and discourses in imagining alterity -- Fixing the tourist gaze : essentializing the primitive and the creation of desire in textual and visual media -- Spectacular culture : performance and festivals -- Producing and consuming experience : commoditizing "real life" -- Producing and consuming things : material culture as meaningful object -- Tourist photography : prefiguring and postfiguring the touristic experience -- Cashing in on culture : the meaning of money in tourist-Trobriand transactions.
This book provides an anthropological analysis of the encounter between local residents and tourists in the Trobriand Islands, a place renowned in anthropology and represented in various media as "culturally authentic." In such a place, how are ideas about authenticity implicated in creating and representing the self and cultural Others in the context of cultural tourism? To answer this question, the author examines four arenas of interaction between Trobriand Islanders and tourists: formal performances, informal village visits, souvenir shopping, and tourist photography. She employs symbolic/interpretive approaches and concepts drawn from economic anthropology to examine the relationship of tourism to the commoditization of culture, the ways in which local residents actively represent and enact "Trobriandness," and the ways tourists interpret and narrate their experience.
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